In school, nobody can match the girl’s intelligence, Greek and Latin teach herself, but Lenù is the brave, disciplined one, she feels inconspicuous in contrast to her charismatic friend.
Her friend, the writer Lenù, refuses to let her get away with it and reconstructs her traces: She writes down the story of their 60-year friendship. The first volume tells the childhood and youth of the two friends. Lila and Lenù grow up in a dirty Rione (district) in Naples in the 1950s, which is characterized by poverty, violence and the Camorra. Mothers have nothing to say here and act lovelessly and disillusioned, fathers throw their daughters out of the window in anger, justice and beatings are inseparable. Purple is the Rione’s rebel: cheeky, sometimes malicious and always unpredictable, she doesn’t persist the unwritten laws. You don’t threaten a mafioso with a knife? Lila dares.
But she is not only daring, but also very clever. Nobody at school can match the girl’s intelligence, Greek and Latin teach herself how to do it, but Lenù is the brave, disciplined one, she feels inconspicuous in contrast to her charismatic friend. She brings home only the very best from school – which she works hard for. And she does that mainly because she wants to outdo Lila.
Because while Lenù, the daughter of a porter, makes it to high school at the end of the first volume, Lila has to leave school after just a few years to help father and brother with the cobbler’s shop. It’s a complex friendship, of which Ferrante in one not unusual, but effective, because it tells a very factual and differentiated language: Sometimes Lenù and Lila are deeply fond of each other. Then again, competition and jealousy gain the upper hand. View into the street of a working-class district in Naples. (Photo: ASSOCIATED PRESS) But even if the balance of power between the two and their dependencies are constantly changing, purple in particular becomes the fixed star of Lenù, who strongly oriented towards the girlfriend. Decisions, for example, which boy to hang out with, are often only made out of the drive, “” How much I could gain in respect in Lila’s eyes “”. The main reason why the description of this friendship does not get boring in the long run is because that Ferrante knows how to tell her story from a very intimate point of view and at the same time subtly link it to political and social issues: the aftermath of fascism, being trapped in male-dominated structures, the suppression of women that is taken for granted, and the gradual contamination of society through the Camorra, and it is because Ferrante juggles skillfully with an extensive staff (nine extended families). She brings Don Achill, “” the monster from the fairy tale “”, of whom everyone is afraid, to life, as well as a mad widow, a poet railway worker and the high-handed sons of the local mafia boss.essay on biology Using tiny gestures, she describes the fragile power structures within the Rione – and with a huge New Year’s Eve fireworks display that ends in a shootout, the struggle for supremacy. The only thing that makes it difficult for the book is the enormous hype.
This is mainly caused by the guesswork around Elena Ferrante: For almost 25 years, the “great unknown in contemporary literature” “, according to the blurb, has been publishing novels – but it has only been hotly debated in the media and social networks since the Naples cycle appeared Woman, a man or even a collective of authors is behind the pseudonym. In addition, commentators of the tetralogy do not skimp on superlatives: It is “” the best portrait of a female friendship in all of modern literature, “” writes “The New York Times” “. And a Hollywood actress even admits that the novels have changed her life. No book in the world can meet the expectations that are built up by this, but no matter whether you indulge in the hype or just enjoy an entertaining book: the next volume is unlikely to be ignored.
Because the first part ends with the wedding of 16 year old Lila – and a monstrous cliffhanger. German-speaking readers will have to wait a little longer: The complete translation of the saga should be available by the end of 2017. Order “” My genial friend “” from Amazon or download it from iTunes. Source: ntv.de “” My genial friend “” by Elena Ferrante was one of the events of literary autumn. The second volume of the Naples saga is now out, in which Lila and Lenù fight to escape the poverty of their neighborhood – each in their own way. Lila’s only 16 years old when she married the well-heeled sausage merchant Stefano Carracci.
The wedding is a lavish celebration. Until the Solara brothers, sons of the local Mafia boss, appear. One of them wears the shoes on his feet that the shoemaker’s daughter Lila designed and left Stefano as a token of love. The second volume of the tetralogy was published by Suhrkamp, has 624 pages and costs 25 euros. The novel “My genial friend”, the first volume in Elena Ferrante’s four-volume Naples saga, ends with Lila’s horrified look at the young man’s feet. Who is behind the pseudonym had been a secret for almost 25 years at the time.
Until an Italian journalist, in a way reminiscent of the uncovering of a criminal offense, exposed the translator Anita Raja as the author. There is no official confirmation, but this is not supposed to be about questionable journalistic revelations, but about the second volume by Elena Ferrante, which is now available in translation. It guides the reader through the youth of the dissimilar friends Lila and Lenù in Naples in the 1960s.
Even as little girls, they dreamed of getting rich and leaving behind the poverty of the district called Rione, where they were born. Now the dream collides painfully with reality. Lila’s hope for social advancement through her early marriage and stands, the title makes it clear, at the center of the novel: “” The story of a new name “” describes how Lila Cerullo to Signora Carracci becomes. Right at the beginning, the reader’s premonition is confirmed: Lila’s escape from the hell of poverty is an escape into the hell of marriage.
Because Stefano doesn’t only do business with the Camorristi. He turns out to be violent. The wedding night already ends with a rape, but the intelligent Lila strikes back in her own way, viciously and without consideration for others or herself.
While she provokes wherever she can and desperately tries to break out of the role of the wife, the well-behaved, more adapted first-person narrator Lenù takes a different path: unlike Lila, she is still allowed to attend school. Against all odds and in spite of her own doubts, she passed her high school diploma, got a scholarship for an elite university in Pisa and published her first book. But the price she pays is also high: she cannot really gain a foothold in the world of intellectuals, but she alienates herself from her family and friends. A long passage of the novel alludes to Ischia (Photo: imago / CHROMORANGE ) Only with Lila there is always a connection, even if the two do not see or speak for months.
Their friendship meanders back and forth between the poles of affection and rivalry. Above all, Lenù, plagued by feelings of inferiority, sees herself as a cheap copy of the beautiful and smart Lila and tries again and again to break away from her friend, but the bond between them never breaks, even when it looks like a final break : During a vacation stay on Ischia, they meet the student Nino, with whom Lenù is passionately in love and whom she wants to get closer to. But Lila wouldn’t be Lila if she just took it like that.
And suddenly everything changes. “” The story of a new name “”, Ferrante underpins her mastery in leading the numerous, very vividly drawn figures through a plot that repeatedly surprises with unexpected twists and turns. Like volume one, the follow-up novel is filled with great emotions and a lot of drama. Plenty of intrigues are spun, cheating, attacking, loved and hated.
When opening a shoe shop, there is bogus and jealousy, without the Solara brothers nothing works. And between all the violence, misery and business, Ferrante describes sometimes drastically the difficulties that social advancement brings with it, like the Camorra their network The relationship between the sexes and an archaic relationship between the sexes shape the reality of life for women: they are made docile with blows, a self-determined life is not intended for them. Lila and Lenù do not want to accept that, each in their own way. Like the first volume, the second is immensely captivating and makes you want to continue the story of this complex and contradicting friendship. The third novel will appear at the end of August. “” The story of a new name “” can be ordered from Amazon or downloaded from iTunes. Source: ntv.de “The foundation is named after the two sisters Beata Ernman and Greta Thunberg. (Photo: Michael Kappeler / dpa) Climate activist Greta Thunberg has been the recipient of the Alternative Nobel Prize last year and has now used the prize money to set up her own foundation.
This should also work for climate protection, but not exclusively. The climate activist Greta Thunberg uses her prize money from the Alternative Nobel Prize to set up her new foundation. The one million Swedish crowns (around 94,500 euros) enable Thunberg to found Greta Thunberg Beata Ernman Foundation, announced the Right Livelihood Foundation, which awards the Alternative Nobel Prizes every year. She had awarded Thunberg in Stockholm last year for her work against the climate crisis.
The funds were probably initially used as start-up capital for the foundation and will later be donated to charitable causes in accordance with the foundation’s goals as soon as the foundation is fully functional. At the end of January, 17-year-old Thunberg announced via Instagram that she and her family had founded a foundation that should gradually get going. The non-profit foundation is necessary in order to be completely transparent in dealing with book royalties, donations and prize money. The foundation named after her and her sister Beata Ernman, based in Stockholm, will work for ecological, climatic and social sustainability as well as mental health, according to Thunberg.
The Right Livelihood Awards, which have been presented since 1980, are generally referred to as Alternative Nobel Prizes, but are at a critical distance from the traditional Nobel Prizes. The prize money associated with the honors is generally intended for the work of the awardees. “We are convinced that Thunberg’s new foundation will do great things and promote the much-needed change,” said Right Livelihood Director Ole von Uexküll. The activist presented her idea of the foundation to Right Livelihood at the end of 2019. Source: ntv.de, mdi / dpa “One stranded in prison marriage, the other received an offer from the Camorra: Also in volume three of the Naples series by Elena Ferrante beats the lives of friends Lenù and Lila Kapriolen. The hype surrounding the author Elena Ferrante, who is writing under a pseudonym, continues unabated. It took less than a week for fans to catapult the German translation of her third novel to the top of all bestseller lists.
No wonder: Anyone who has ever started the Naples series is captivated by the friendship between the ambitious Elena, known as Lenù, and the rebellious Lila. In “” The Story of the Separate Paths “” the fates of the Neapolitan women who grew up in a poor neighborhood now take very different turns. Lilac and Elena grew up in a neighborhood in Naples where poverty and violence reign. (Photo: REUTERS) The novel takes place from 1968 to 1976, a time when Italy was in turmoil and right and left terror tore the country apart. Childhood (volume one) and youth (volume two) lie behind the two friends, at the beginning of the current book they are 24 years old. I-narrator Elena, unlike Lila, made the leap from Naples and graduated from the elite university in Pisa . With the publication of her first novel, she lands a surprising success. When she visits her home district, she is looked at with amazement and envy, but also with incomprehension.
She realizes how much she has moved away from the filthy, Camorra-ruled Rione. When Elena marries into a recognized northern Italian academic family, her social advancement seems to have finally been successful. But the birth of her two children forces her into a life as a housewife, her husband turns out to be a bore and a second book simply won’t succeed. While Elena in Florence dreams of escaping the tightness of her marriage, Lila has already left her husband and exchanged the financially carefree, but violent life at his side for that of a worker. During the day she works her hands bloody in a mortadella factory, in the evening she delves into the distance learning computer science of her childhood friend Enzo, with whom she and her little son share an apartment. The novel was published by Suhrkamp, has 540 pages and costs 24 euros. Then Lila gets the opportunity of a lucrative job as head of data processing. There’s just one catch: her employer is the seedy Camorrista Michele Solara, who never stopped soliciting her while she never stopped giving him the cold shoulder.
The fact that she is now accepting his offer reveals once again the unpredictability of the intelligent and devious Lila. Ferrante shines particularly in the moments of the book in which she links the characters’ individual lives with the socio-political upheavals. Elena delves into feminist writings and comes into contact with the student protests, but remains an observer. Lila, on the other hand, is right in the middle of it all: she takes on – not entirely voluntarily – a prominent part in the class struggle, which also affects the sausage factory, and witnesses the bloody clashes between communists and fascists at first hand it is to paint an impressive picture of the social change in Italy.